Pearl City High School Dramatic Arts the True Story of the Three Little Pigs

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  Allison Cain (Prudence)

  Allison is thrilled to exist back treading the boards with Lifeline, where audiences have seen her in Johnny Tremain , Crossing California , The Mark of Zorro , and Mariette in Ecstasy . She received her training at Carnegie Mellon University in Pittsburgh, PA and Columbia College in Chicago. As an histrion, she has performed in over xxx productions in Chicago since 1992. She was a proud ensemble member of the Mill Theater from 2000 to 2011, and served equally Executive Managing director from 2001-2007. Since 2009 she has served every bit the Managing Manager of Lifeline Theatre, where she remains committed to the product of new works.

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  Diana Coates (Magill)

  Diana is absolutely thrilled to be making her Lifeline Theatre stage debut. She was recently seen at Victory Gardens playing the office of Margarat in Rasaka Theatre Company's production of Much Ado About Nothing . She's also had a nail playing with Eclipse Theatre, Babes with Blades, and the Muse of Burn Visitor, where she shared her love for the arts with a great grouping of kids in Evanston. Up adjacent, you can find Diana at Piccolo Theatre playing Hermia in a production of A Midsummer Night's Dream .

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  Marissa Lessman (Rocky/Dr. Bobby/Martha/Maxwell)

  Marissa is an extra/sketch comedian and has worked with 2nd Metropolis Hollywood and Chicago, pH Comedy Theatre, Lookingglass Theatre, Oak Park Festival Theatre, Stage 773, ImprovOlympic, and The Groundlings. She was recently a cast member and staff writer for a critically-aclaimed sketch show at 2nd City, LA. She is currently working on The Neat Testify  with Alphabet Soup Productions as well every bit is thrilled to be understudying Lyle Finds His Mother  in the spring with Lifeline. She has a BFA in Acting from Chicago College of Performing Arts. She wears cable-knit and eats besides much cheese.

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  Amanda Roeder (Julia)

  Amanda is thrilled to render to Lifeline Theatre! Her last appearance at Lifeline was in the groovalicious production of The Emperor's New Threads as Mom/June/Marissa/Primp. Other Chicago credits include Annee in Anneepocalypse  with Hubris Productions as well as work with Infamous Republic Theatre, Rivendell Theatre, the Plagiarists, City Lit, Cypher Special Productions and Circle Theatre. Amanda received her BA in interim from Illinois State University and has taken classes at Blackness Box Studio.

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  David Sajewich (Al)

  David is thrilled to be performing at Lifeline Theatre for the beginning fourth dimension! David's contempo Chicago credits include The Pajama Game  (Music Theatre Company), The Bakery's Wife  (both Circle Theatre and Music Theatre Company), Fiddler on the Roof  (Paramount Theatre), and Romeo and Juliet  (Outset Folio Theatre). Regionally, David has as well performed in both Once Upon A Mattress  and Legally Blonde  at the Fireside Theatre.

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  Alexandra Gonzalez (Understudy)

  This is Alexandra'southward second production with Lifeline, having previously worked as an understudy on Click, Clack, BOO! . She is a graduate of CCPA at Roosevelt University with a BFA in Musical Theatre. Previous Chicago credits include Mavra in Expressionless Souls  (Spartan Theatre Company), Jo March in Piddling Women  (NightBlue Performing Arts Visitor), and Cissy Torres in Dancing in the Mirror  (Chicago Pride Films and Plays). Effectually the land she has been seen as Mary Jane in the national tour of Blueberry Finn .

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  Bailey Heinz (Understudy)

  Bailey is ecstatic to be understudying for The True Story of the 3 Little Pigs!  in her kickoff show with Lifeline Theatre. She is a contempo graduate of Columbia College Chicago with a BA in Theatre: Acting. Past credits include Cinderella/Wilhemina in Cinderella ; Kate in July 7th, 1994 ; and she was a member of the New Works Play Ensemble at CCC. She is also a proud former intern and pedagogy artist at Lifeline.

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  Charlotte Long (Understudy)

  After graduating from Sarah Lawrence College in New York with a dual concentration in Literature and Theater, Charlotte moved dorsum to her hometown of Chicago to begin life in the urban center's performance world. Previous shows include the Manufactory's Toast of the Boondocks , Prop Theater's Always Saturday , Mechanical Reward's Salome , ShaBAM!'s product of Refuge  with Susan Padveen, the Plagiarists' King Ubu , and Oracle Theater'southward The Revenge of Radio Goggles . Charlotte will be performing this upcoming Jump with Right Brain Theater and in the Whisky Rebellion'southward Rinofest piece. On the side, Charlotte combines trip the light fantastic-theater, ukulele and some solo writing in modest multi-media operation pieces.

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  Timothy Maples (Understudy)

  Timothy is ecstatic to exist returning to Lifeline once again after actualization earlier this flavor in Click, Ballyhoo, Boo! A Tricky Treat  as the Farmer Brown understudy. He was concluding seen in Chicago in Oak Park Festival Theatre's production of Amadeus . A contempo graduate from Culver-Stockton Higher in Canton, MO, Timothy is thrilled to be dorsum in the metropolis of Chicago and to be involved with such an crawly company!

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  Robert Kauzlaric (Adaptor)

  Robert is a proud member of Lifeline's creative ensemble. He has written over a dozen adaptations which have been produced all across the U.S., besides as in England, Ireland, and Canada. For Lifeline, he has adapted The Island of Dr. Moreau  (Not-Equity Jeff Awards: Best Production-Play and New Adaptation), The Picture of Dorian Gray , Neverwhere  (Non-Equity Jeff Accolade: New Adaptation), The Moonstone , The Woman in White , The Three Musketeers , Flying of the Dodo , The 13 Clocks , and Naked Mole Rat Gets Dressed . Robert has as well appeared as an actor in fifteen productions on the Lifeline stage, and directed Treasure Island  and Hunger .

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  Paul Gilvary (Co-Composer)

  Paul's history of composing for Lifeline Theatre began in 2000 with Mrs. Piggle Wiggle . Since then, Paul has written music for Puss in Boots , Bongo Larry and Ii Bad Bears , The True Story of the 3 Little Pigs! , Crossing California , Cat'south Cradle , and Naked Mole Rat Gets Dressed . Paul has likewise written music for Tellin' Tales Theater, Silent Theater, Polarity Theater, and he has played bass in several productions for Strawdog Theater. By mean solar day, Paul is an uncomplicated schoolhouse music instructor. By night, he plays bass fiddle with the Lord's day Blisters.

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  William Rush (Co-Composer)

  A sometime band-mate to co-composer Paul Gilvary, and a student of the mystic arts, Nib channels musical guides through the ether. A self-described 'rhythmic sculptor,' his musical training started with the gift of an AM clock radio and ended with violin lessons at age 8.

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  Amanda Link (Director)

  Amanda is honored to be a Lifeline ensemble member and is thrilled to straight this show. Also at Lifeline, she choreographed and assistant directed The Emperor'southward New Threads , assistant directed and motility designed The City & The City , assistant directed Pride and Prejudice , and appeared in Click, Clack, BOO! , Duck For President  (2012 and 2008), How To Survive A Fairy Tale , Dooby Dooby Moo , Mrs. Piggle-Wiggle , and One-half Magic . Amanda is besides a proud member of the Lifeline Storytelling Project. Other Chicago credits include work with Griffin Theatre, The Mill, The Anatomy Collective, and Sandbox Theatre Project.

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  Jennifer Aparicio (Stage Manager)

  Jennifer returns to Lifeline, where she last stage managed The Emperor's New Threads . By stage management credits include Arnie the Doughnut (Lifeline), Empanada for a Dream  (16th Street Theater), Tony Fitzpatrick's Trilogy ( This Train , Station's Lost , and Nickel History ) at Steppenwolf Garage and The Banality in Brooklyn, NY; as well as work with Prop THTR and Teatro Luna. Jennifer also works with Pegasus Players as their product manager.

• Benjamin Due west. Dawson (Production Manager)

  Prior to coming to Chicago, Ben served as the Production Safety Coordinator with The Santa Fe Opera and as Art Director for several tv set series with networks like Discovery, PBS, MTV and VH1. In Chicago, Ben has served, amongst other things, as Product Manager for Pino Box Theater and WildClaw Theatre; as Technical Director for Haven Theatre and The Foreign Tree Group; and as the Scene Shop Foreman at Goodman Theatre. In addition to his work with Lifeline, Ben is also a Visitor Member and the Production Manager for Sideshow Theatre Company and the Banana Technical Managing director for Lookingglass Theatre Company.

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  Alan Donahue (Lighting Designer)

  Alan recently brought Christmas to Branson, MO and Pigeon Forge, TN, having opened two productions of A Christmas Carol  and i of It'due south a Wonderful Life  featuring his scenic designs. Returning habitation, Remy Bumppo theatre mounted his breathtaking blueprint for An Inspector Calls . Alan is an ensemble member of Lifeline where his designs for The Little Sister , Jane Eyre  (2001), Effectually the World in lxxx Days , Mariette in Ecstasy , and Neverwhere  have received Non-Equity Jeff Awards. For Lifeline, he has also adjusted Donald E. Westlake's Trust Me on This  and Adam Langer's Crossing California  for the MainStage and Daniel Pinkwater'south Bongo Larry and Two Bad Bears  and Eileen Spinelli's Sophie Masterpiece: A Spider's Tale  for the KidSeries. In March he will exist designing scenery for Lyle Finds His Female parent .

• Amanda Herrmann (Properties Designer)

  Amanda is very happy to exist joining the squad at Lifeline. Perviously she has worked at Peninsula Players, American Blues Theatre, Paramount Theater, Chicago Shakespeare Theatre, Lookingglass Theatre, Victory Gardens and Silk Route Rise. As a young designer, she is grateful for all the opportunities to piece of work in this hard working community. Amanda is a graduate from Ripon Higher in Ripon, WI.

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  Anthony Ingram (Sound Designer)

  Anthony is very happy to exist back at Lifeline after having about recently designed sound for Click, Ballyhoo, BOO! . Previous designs for Lifeline include Duck For President  (2012); How To Survive A Fairy Tale ; Click, Clack, Moo: Cows That Type  (2010); and Dooby Dooby Moo . Every bit the resident Sound Designer and Production Managing director at Signal Ensemble Theatre, Tony has worked on a bulk of their productions, including East of Berlin & The Russian Play , Aces , 1776 , Aftermath , The Ballad Of The Deplorable Cafe , and Seascape . He has also worked with Shattered Globe Theatre, Bailiwick, Deeply Rooted Dance Theatre, and The Right Brain Project. Tony is the Technical Associate for The Dance Center of Columbia College Chicago.

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  Joanna Iwanicka (Scenic & Puppet Designer)

  Joanna is thrilled to piece of work once again at Lifeline, where she designed the set up for the original product of The True Story of 3 Piffling Pigs! , Naked Mole Rat Gets Dressed , and Duck for President  (2012); masks/puppets for Dooby Dooby Moo , The Last of The Dragons , The Blue Shadow , and Watership Downwards ; and managed props for A Room with a View . Her recent credits include designing sets for the Strawdog Theatre'south Great Expectations  and Improbable Frequency , Trap Door Theatre'south The Balcony  and Core of the Pudel , as well every bit productions at Rivendell, The Division Theatre Company, Bialystok Puppet Theatre and Teatr Arlekin in her native Poland. This spring, she will design Lifeline's MainStage product of Monstrous Regiment.

• Emily McConnell (Costume Designer)

  Emily is very excited to be working with Lifeline for the offset time. In addition to being the Resident Costume Designer for Roosevelt University'due south Chicago College of the Performing Arts, she also freelances for such companies as Oak Park Festival Theatre ( Amadeus , 12th Night , Inherit the Air current , Richard Three ), Redtwist ( Reverb ), Artistic Domicile ( American Plan ), Northlight ( Black Pearl Sings ), Canis familiaris & Pony ( Roadkill Confidential ), Gift Theatre ( Suicide Incorporated ), Steep Theatre ( Luther , Lakeboat , Hollow Lands , In Arabia… ), Theatre Mir, American Theatre Company, Remy Bumppo, Griffin Theatre and About Face. She is a proud Artistic Associate of Steep Theatre, and has her MFA in Costume and Set Blueprint from Northwestern University.

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  Laura McKenzie (Musical Director)

  Laura is grunter happy to be working with Lifeline! 1 of her all-time favorite roles was One thousand thousand Murray in Lifeline's production of A Contraction in Time . Previous music directing credits include That'south Weird, Grandma  (Barrel of Monkeys) and Beer  (Neo-Futurists). Upcoming music directing credits include Hey! Dancin! Hey Musical! , for which Laura is also the composer and lyricist (Factory Theater). Laura was half of the comedy facemelt duo The Laura On Laura Improvement Bout  and is currently an ensemble member with Barrel of Monkeys and Factory Theater.

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  Joe Schermoly (Technical Director)

  Joe is a set designer, technical director and a company fellow member with Griffin Theatre. His pattern work has been seen at Lifeline Theatre ( The Count of Monte Cristo , The City & The Urban center ), Griffin Theatre ( Spelling Bee , Flare Path , Punk Rock , No More Dead Dogs , Port , Constant Wife ), Theatre Wit ( Completeness ), Seanachaí ( The Seafarer ), Strawdog Theatre ( Duchess of Malfi , Master and Margarita , Richard Three ), Sideshow Theatre ( Idomeneus , The Ugly 1 ), Eclipse ( Beyond the Horizon , The Trestle at Pope Lick Creek ) and more. He has as well designed and congenital shows in London for The Finborough, Bush and Gate theatres amid others. Joe studied set pattern at Northwestern Academy and has received two After Night Awards and ii Jeff Nominations.

From Chicago Theater Beat

Porkicide in Piggsylvania! Or was information technology???
January 21, 2014
ByKat Hey

FOUR STARS

Everyone deserves their mean solar day in court should they be accused of a heinous crime. What most when the reputation of the accused is so widely known and at that place are factors weighing against them? Lifeline Theatre presents a delightful musical that answers these questions in language that any little piggy er… I hateful kid can understand.

The story, based on the book by Jon Scieszka and Lane Smith, is presented as a news story beingness followed past the media and wannabe star reporter Magill (Diana Coates). Magill announces the trial and her wanting to get the real scoop as if it were PNN (Squealer Network News), even though she is but trying to get her hoof in the door. Coates has the requisite bubbly enthusiasm and looks mighty fine with the beautiful ears and snout.

David Sajewich brings a sugariness and nerdy side out in Alexander T. Wolf a.k.a. Large Bad (justplease call him Al.). Sajewich resembles more of a sweet puppy than a vicious lupine. He howls his way through the Wolf Dejection, and fifty-fifty moonwalks with grace and ease.

Al (a.k.a. Large Bad) is led out of the pen and into the court of Judge Prudence (Allison Cain) and prosecuting attorney Julia (Amanda Roeder). Cain and Roeder take lines that seem to be custom made for Chicago politics. In other words, the fix is in, and that it's all about who you know in Piggsylvania — not to mention that the two play golf together at the aforementioned society of which Al cannot exist a fellow member. When Cain enters they rap 'here comes the judge,' which is from the late chitlin' circuit comic Pigmeat Markham. (I think that I may have been the only one in the firm that caught that but ane never knows.) Roeder is in fine comic form every bit the blustery prosecuting attorney who would be called a barracuda, were information technology not for her porcine genetics. Marissa Lessman rounds out the bandage in a quadruple feat of amazement. Lessman plays Rocky the Bailiff, Bobby the md and expert witness, Martha the cola bottle glass wearing eye witness, and Maxwell the surviving hog. The all-time laughs come up from Martha, who is correct out of a John Waters moving-picture show with her outfit and mannerisms. Maxwell is also a smashing character equally a pig with a trade in masonry.

The show is scored quite well, with catchy melodies and fun choreography. The storyline doesn't talk down to the children nor does it clean up the story where they all escape to the brick house. The sick-prepared pigs become dinner for sure because a wolf has got to exercise what a wolf does. The story I recall is that the third sus scrofa put a boiling kettle at the bottom of the chimney and had wolf stew. That was deemed too gruesome but at least the kids go to know where ham comes from in this rendition.

Was it-premeditated porkicide? The fun is having the audience equally the jury and they have to oink, squeal, and snort the verdict. I'm not revealing our verdict but I trust that all the niggling piggies in the audience will see that justice is done for Alexander T. Wolf.

Lifeline does an excellent job of bringing children's stories to the stage. The set for this product is top notch. It resembles a hyper-real game show ready with lights flashing and beautifully painted props. I highly recommend this show for kids and adults equally well. The show runs 1 hour and there is a chance to meet the bandage subsequently the testify for photo-ops and autographs. You'll have a squealing skillful fourth dimension!

From the Chicago Reader

January 15, 2014
BySuzanne Scanlon

RECOMMENDED

Lifeline Theatre wants united states to consider the wolf in the latest installment in its KidSeries, a lively musical adaptation of the popular children's book by the aforementioned proper name. Audience members play along equally piggy-jurors in a highly corrupt if entertaining courtroom in Piggsylvania. Guess Prudence (Allison Cain) presides, but only sort of: her fondness for show tunes and puppetry keeps things from getting too serious. Later a series of unreliable witnesses, the much-maligned wolf gets to tell his side of the story. He doesn't offer the most convincing defence, but it'southward hard not to fall for him as he soft-shoes and howls his cannibal path to freedom. The kids in the audition enjoyed it, and it was lots of fun for the four grown men — sans kiddos — behind me, too.

From Make It Meliorate

Lifeline's "iii Little Pigs" is a Striking
Jan 21, 2014
ByBeth Engelman

Looking for a mode to hunt the winter dejection? Await no farther than Lifeline Theatre'due south new musical product, "The Truthful Story of the 3 Little Pigs!"

This musical, based on the popular volume by Jon Scieszka and Lane Smith, turns the classic story on its head. Audiences will "squeal" with delight equally they hear both sides of the Pig versus Wolf tale. Is Alexander T. Wolf a big, bad squealer-eating monster, or is he merely a helpless carnivore with a cold? It will be up to the jury/audience to determine equally the plaintiff and prosecutor sing, trip the light fantastic toe and charm their way through the court comedy.

The play was creatively adapted for stage past ensemble member Robert Kauzlaric, whose credits besides include writing the stage accommodation of Lifeline'south "Naked Mole Gets Dressed." Lifeline's Amanda Link directed the production while William Rush and Paul Gilvary composed the toe-tapping songs.

"The True Story of the 3 Lilliputian Pigs!" features Amanda Roeder every bit feisty prosecutor Julia and David Sajewich every bit her courtroom nemesis, Alexander T. Wolf. Both actors are witty and engaging as they endeavor to ane-upward each other to prove their case. Equally entertaining are Diana Coates and Allison Cain as courtroom reporter Magill and Justice Prudence, respectively. My favorite actor (and my 8-twelvemonth-old son agrees) is Marissa Lessman, whose experience equally a sketch comedian at The 2nd City is evident as she deftly portrays 4 different characters with four amusing and distinct personalities.

Justice is served in the end (or is it?), but the outcome is the same — "The True Story of the 3 Little Pigs!" is a must-see for families.

From Chicago Now

The True Story of the 3 Little Pigs a fun family show
February 3, 2014
PastShari Schmidt

We were invited to seeThe Truthful Story of the 3 Little Pigs! at the Lifeline Theatre and I hesitated for a minute. Our daughters are ten now, and so they are starting to outgrow our favorite fairy tales. The great thing nearlyThe True Story of the 3 Fiddling Pigs! is that it's based on a book uncomplicated schools read in form. This is a fun testify for kids of all ages. There were preschoolers and Jr. High School students at our show. They all laughed.

Lifeline Theatre is in Rogers Park, which is a great Chicago neighborhood. Nosotros arrived most ½ hr early so we walked around a little earlier going to The Common Cup for hot chocolate and baker treats. Our girls really liked sitting in the java shop watching people come in and out. They sat at the tabular array chatting like they spent a lot of time in coffee shops.

Lifeline has a fun little park next to it. I had a hard time getting our girls into the theater. They wanted to stand outside talking about the artwork. They spotted the street library, which I explained was a mode for people to share books. In this library they had magazines. Our girls were broken-hearted to take a magazine, but I told them they were a scrap young to readArchitectural Digest orWine and Nutrient.

The show was wonderful. What I really admire about theater companies dedicated to children's theater is how they piece of work the audition of children into the production. InThe True Story of the 3 Little Pigs! the audition served as the jury. Throughout the show the actors talked to the audition as if the audience was another actor.

The Truthful Story of the 3 Little Pigs! is a family musical based on the popular children'south book by Jon Scieszka and Lane Smith. The concept is that there are two sides to every story and the long-suppressed account of the Large, Bad Wolf is finally brought to lite in Piggsylvania'southward Trial of the Century. Can a lonely wolf get a off-white trial in a corrupt piggy court? And will anyone believe that all the "huffing and puffing" nonsense was just a cover-up for a simple story most a sneeze and a cup of sugar? This production is recommended for children ages five and up (children under ii not permitted), and runs one hour with no pause.

I won't say how our jury voted, but permit's just say it was a unanimous decision. After the prove the actors signed autographs in the lobby. Each actor charmed the children by talking to them virtually their feel. I asked the actors about the ending. They said that they did have an alternate ending from the one we saw. They perform the catastrophe based upon the jury'due south decision. At that moment I wanted to enquire them what the alternate closing song was, only I resisted. It turns out that every evidence concluded the same fashion nosotros voted. You'll have to encounter the show for yourself to find out how the jury voted.

From Religion, Family & Creativity

February 1, 2014
ByChristine Trevino

We were invited to attend opening weekend of Lifeline Theatre's adaptation of The True Story of the 3 Little Pigs! back in January, simply we were all sick — times ii. After being extended a very gracious opportunity to reschedule, and a trip to the local library to check out the book the show is based on, we finally made it out to Rogers Park for an heady family run a risk twenty-four hour period in the unbelievably crazy Chicago snowfall.

Based on the book by Jon Scieszka, with script and lyrics by Robert Kauzlaric, music by Paul Gilvary and William Rush, and directed by Amanda Link; Lifeline'southward musical twist on the tale of the Big Bad Wolf was both humorous and fun. Alexander T. Wolf shareshis side of the story under the scrutiny of a piggy court and jury — who only happens to exist the audition (AND who has the pleasure of determining his fate!).

What I loved about the evidence:

• I'm an accented sucker for musical theater — the dancing, the singing, the witty nuances — it gets me every time. In no other circumstance are you allowed to suspension into song in the center of regular conversation, except the theater. God bless the theater.
• The role player and actresses just put were astounding performers. They were spot on for the entire prove and they brought a humor to the presentation beyond the scripted lines.
• Which brings me to the script itself. Superbly written. I would estimate MAYBE 10-15 minutes of the entire presentation was discussion for word out of Scieszka's book. The boosted story Robert Kauzlaric wrote for this accommodation was original and incredible.
• At the terminate of the show the audience actually determines the fate of Alexander T. Wolf. I LOVE that they had 2 different endmost numbers tailored to each audition response.
• Following the show the actor and actresses were available in the lobby to take pictures and sign autographs. That was a large deal to my boys who both wanted their picture taken with Big Bad (who coincidentally was the only male in the testify).

What I loved about the theater:

• All of Lifeline's shows are original adaptations of written works. I loved that this was not only an 60 minutes event for our family. Being able to read the book earlier and afterwards the show was a really exciting piece for the boys. Even their main phase presentations are all based on books/novels that can be read prior to attending.
• The theater was easily accessible — even in the snow — and extremely well kept. It had a great lobby to operation area ratio and slap-up restroom facilities (which totally makes a divergence for the momma's who have recently potty-trained little ones).

From the Little Way File

February 5, 2014
PastKeely Flynn

Looking for a howling proficient time for the kiddos? Try Lifeline Theatre'sThe Truthful Story of the 3 Little Pigs, adjusted from those masters of hilariously reworked fables, Jon Scieszka and Lane Smith. This new work (with script and lyrics by Robert Kauzlaric, music by Paul Gilvary and William Rush, and direction past Amanda Link), focuses on the "other" side to the well-known piggy and wolf tale. As in- what if he didn't do it?

The audience gets to exist function of the activeness in this zippy product, interim as jurors in Piggsylvania, and deciding if a misunderstood wolf can become a fair trial in this hog-happy town. This show has it all: fun dialogue, upbeat musical numbers, and a cast that must slumber for days after performances (the quick character changes on the part of Marissa Lessman in particular left me impressed and sympathetically exhausted.) The utterly likeable "big and bad" Wolf (the charming David Sajewich) was a fun twist on an infamous graphic symbol, and the prosecutor and gauge (Amanda Roeder and Allison Cain, respectively) brought slick humor in droves. Tying information technology all together is Diana Coates' energetic Magill, an ace reporter getting to the bottom of the scandal- and interim as narrator for the jury box.

This terrific product is adorable, hilarious, and sharp enough to keep kiddos 5+ (and, ahem, a reviewer's ii and iv twelvemonth olds) engaged for a full 60 minutes. Parents and other grownups will dig it, also. (See how many Beatles referencesyou can catch!)

Looking for fifty-fifty more than reasons to love this show (and theatre)? Every Saturday and Sunday (at apex during the run of the production) is a series calledStories Come Alive where, for v bucks per kiddo, your child tin can participate in interactive storytelling and theatre games.

And good news, folks: this family-friendly romp has been extended past two weeks. Which gives you plenty of time to get your huff due north' puff on with the blue-chip of them.

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Source: http://lifelinetheatre.com/performances/13-14/the-true-story-of-the-3-little-pigs/

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